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Comedy Central has made a schedule change that will take in effect next week. The Cleveland Show has been added to Tuesdays from 3-5pm beginning Tuesday, June 11, replacing Parks & Recreation. No other changes, but Comedy Central has announced some summer stunts in July. South Park Summer Marathons begin Wednesday, July 3 from 9am–11pm. The Office: Ryan Started the Fire (wt) airs on the 4th of July with a marathon on Thursday, July 4 from 9am–12am with Ryan-themed episodes. And finally, on the day after the 4th, The Cleveland Show Marathon airs on Friday, July 5 from 9am–9pm.

Time to get your GLOW on for a third time! Netflix comedy GLOW will launch on Friday, August 9, 2019 with 10 all-new episodes. Season 3 follows the ladies of GLOW as they take the Vegas strip by storm. Now headliners at the Fan-Tan Hotel and Casino, the women quickly realize Sin City is much more grind than glitter. Ever the team cheerleader, Ruth's passion for the show begins to take a backseat to her growingly complicated personal life. Debbie is making headway as a producer, but continues to be consumed with guilt over the distance between her and her son. As their residency wears on, the lines blur between performance and reality, and the cast find themselves struggling with their own identities both in and outside of the ring.

Inspired by the short-lived but beloved show from the '80s, GLOW tells the fictional story of Ruth Wilder (Alison Brie), an out-of-work, struggling actress in 1980s Los Angeles who finds one last chance for stardom when she's thrust into the glitter and spandex world of women's wrestling. In addition to working with 12 Hollywood misfits, Ruth also has to compete with Debbie Eagan (Betty Gilpin) a former soap actress who left the business to have a baby, only to be sucked back into work when her picture perfect life is not what it seems. And at the wheel is Sam Sylvia (Marc Maron), a washed-up, B-movie director who now must lead this group of women on the journey to wrestling stardom.

Netflix has ordered a third season for its wrestling comedy GLOW. Set in 1985 Los Angeles, GLOW follows Ruth Wilder (Alison Brie), a struggling out-of-work actress as she auditions for, trains and eventually makes the first-ever women's wrestling TV show. Inspired by the short-lived but beloved show from the 80s, GLOW is a Cinderella story with bodyslams. Inspired by the real story of the 1980's female wrestling league, the series -- set in Los Angeles and showcasing big hair and body slams -- will be the fictionalized story of an out of work actress who finds one last attempt to live her dreams in the form of a weekly series about female wrestlers. Jenji Kohan (Orange is the New Black) and Tara Herrmann (Orange is the New Black) are executive producers, and the series was co-created by Liz Flahive (Homeland) and Carly Mensch (Orange is the New Black), who will serve as showrunners.

It's time to slay in a whole new way. Turner's TNT has ordered a pilot for Naked With Niecy Nash, a decidedly unique show with a late-night feel hosted and executive produced by the queen of Claws and author of the best-selling book It's Hard to Fight Naked, the inimitable Niecy Nash. Nash, never afraid to get real and tell it like it is, will serve up a tall glass of humor, advice, and one-of-a-kind "Niecy-isms" on all things love, sex, romance and relationships with everyday people. The pilot will tap Niecy's unparalleled strengths to inspire, empower and make viewers laugh out loud. Nothing is off limits and no topic will be out-of-reach.

Nash currently stars on the hit TNT dramedy, Claws, which was renewed for a third season and a top 10 cable drama for 2018. Daytime Emmy(R) Award winner Sue Murphy, who served as an executive producer and writer on Chelsea, and as an executive producer on Chelsea Lately for seven seasons will serve as an executive producer and showrunner.

It's time for another edition of Fri-Yay! That means we will take a look back on some sitcom happenings in recent days or weeks or other fun sitcomy stuff. It's a sitcom lover's paradise! Happy Fri-Yay!

by Vincent

GLOW was one of the biggest delights of last summer, arriving in the doldrums of June to become one of the best and funniest shows of the year. With a stacked cast, an intriguing premise, excellent writing and lovable characters, it was the type of show I binged through immediately, wanting more. Now, a year later, I've finally gotten more - and it doesn't disappoint. Season 2 of GLOW is just as entertaining, fun to watch and genuinely great as the first season, and deepens its characters and world in excellent ways.

GLOW comes from the creator of Orange is the New Black, Jenji Kohan. That was obvious from the very first episode, as the show has a diverse group of female characters from very different backgrounds. But I felt the Orange connection even more strongly in Season 2, as the show delves into the backstory and personal lives of its characters even more than it did in Season 1. We really see these women for who they are beyond their stereotypical G.L.O.W characters, and it makes the show's world all the more rich and inviting. Add that to the fact that the show has largely figured out its comic rhythm, and you have an excellent, consistently strong season of television.

There are a couple of faults I found with the second season of the show - the first season was tightly structured around the filming of the G.L.O.W pilot and length everyone goes to in order to make sure it works. The second season loses a little bit of that structure by shifting to covering the show week-to-week, although in a way, that loose structure is what allows it to delve more deeply into its characters. The other major criticism I had of the season was that it focused a bit too much on Marc Maron's Sam and not enough on the ladies of GLOW, who are all incredibly interesting and deserve to be more of the center of attention. Maron is great as Sam, but his character is kind of prickly and not super likable, and not someone I've found myself sympathizing with very often. On the other hand, the women of GLOW, even when they're being unlikable, still find a way to work their way into your hearts. If GLOW gets a third season (and it seems to be do well for Netflix at least judging by the buzz around it that I've seen), I'd like to see the focus dialed even more on the cast and less on the male producers. But that's a minor gripe with an overall excellent season of television, and a great choice for summer TV marathoning.

Casting is confirmed on After Life, the new Netflix original comedy series from Ricky Gervais. Production is also underway on After Life, a Netflix original series from Creator, Executive Producer and Director, Ricky Gervais. The series stars Ricky Gervais alongside Penelope Wilton (Downton Abbey, Doctor Who), David Bradley (The Harry Potter series, Game of Thrones), Ashley Jensen (Extras), Tom Basden (Plebs, David Brent: Life On The Road), Tony Way (Edge of Tomorrow), David Earl (Cemetery Junction, Derek), Joe Wilkinson (Him and Her), Kerry Godliman (Derek), Mandeep Dhillon, Jo Hartley, Roisin Conaty and Diane Morgan (David Brent: Life On The Road). In the series, Tony (Ricky Gervais) had a perfect life. But after his wife Lisa suddenly dies, Tony changes. After contemplating taking his own life, he decides instead to live long enough to punish the world by saying and doing whatever he likes from now on. He thinks it's like a Super Power - not caring about himself or anyone else - but it turns out to be tricky when everyone is trying to save the nice guy they used to know. 6 episodes have been ordered, but no premiere date just yet. Stay tuned.

Netflix has announced that Piper Perabo (Covert Affairs, Looper) and JJ Feild (Turn, The Romanoffs), as well as newcomer Frankie Hervey, have been cast in the upcoming original comedy series Turn Up Charlie, which went into production earlier this month in London. They join the previously announced Idris Elba, who co-created and executive-produces the series in which he will also star.

Turn Up Charlie centers on Charlie (Elba), a struggling DJ and eternal bachelor who is given a final chance at success when he reluctantly becomes a manny to his famous best friend's problem-child daughter.

Gary Reich and Tristram Shapeero will also serve as executive producers. The series will be co-produced by Brown Eyed Boy Productions and Green Door Pictures for Netflix. Eight 30-minute episodes have been ordered. Stay with us for updates on a launch date.

It's time to get your GLOW on again. The Gorgeous Ladies of Wrestling are back in town. GLOW Season 2 launches globally on Netflix June 29.

Season 2 follows the women of GLOW as they become local celebrities, confronting the good, the bad, and the ugly realities of their newfound fame. As Ruth and Debbie settle into the day-to-day of making a season of TV together, they confront lingering issues at the heart of their friendship. Sam is still Sam, but now he has a teenage daughter living with him and twenty episodes to churn out. The wrestling is harder, the stakes are higher, and the hair is even bigger.

Inspired by the short-lived but beloved show from the 80s, GLOW tells the fictional story of Ruth Wilder (Alison Brie), an out-of-work, struggling actress in 1980s Los Angeles who finds one last chance for stardom when she’s thrust into the glitter and spandex world of women's wrestling. In addition to working with 12 Hollywood misfits, Ruth also has to compete with Debbie Eagan (Betty Gilpin) a former soap actress who left the business to have a baby, only to be sucked back into work when her picture perfect life is not what it seems. And at the wheel is Sam Sylvia (Marc Maron), a washed-up, B-movie director who now must lead this group of women on the journey to wrestling stardom.

View the Season 2 trailer:

Starting next Monday (August 21), Antenna TV will air sitcom stacks in primetime with "very special episodes" of your fave sitcoms. Four episodes back-to-back of your fave sitcoms. The primetime block of 8-10pm on weeknights will have Family Ties on Monday, All in the Family on Tuesday, One Day at a Time on Wednesday, Good Times on Thursday, and Maude on Friday. They are replacing Sanford & Son at 8pm, which is on hiatus for this week, and All in the Family at 9pm. The Antenna TV fall schedule will begin after Labor Day with the addition of Welcome Back, Kotter (which will have a Labor Day marathon) and we will have much more on that very soon. Come on back for that (but not to worry Sanford & Son will return then).

Netflix has renewed GLOW for a second season (ten episodes). Set in 1985 Los Angeles, GLOW follows Ruth Wilder (Alison Brie), a struggling out-of-work actress as she auditions for, trains and eventually makes the first-ever women's wrestling TV show. Inspired by the short-lived but beloved show from the 80s, GLOW is a Cinderella story with bodyslams. GLOW is created by Liz Flahive (Homeland, Nurse Jackie) and Carly Mensch (Nurse Jackie, Orange Is The New Black, Weeds). Orange Is the New Black creator Jenji Kohan and Tara Herrmann are executive producers alongside Flahive and Mensch, who are serving as showrunners.

It's time for another edition of Fri-Yay! That means we will take a look back on some sitcom happenings in recent days or weeks or other fun sitcomy stuff. It's a sitcom lover's paradise! Happy Fri-Yay!

by Vincent

Summer has always been a slow time for TV, but that's changed a bit in recent years with streaming services and premium cable, who generally try to keep their operations running all year. Even still, there is significantly less TV to be found in the summer months, and especially less good TV. So it's a nice surprise when we have a show like Netflix's GLOW, a refreshing new half-hour comedy from Orange is the New Black producer Jenji Kohan.

GLOW has a bit of an unconventional premise. It's based on the real female wrestling television series "GLOW," which aired from 1986-1990 in syndicated TV. GLOW was a breakthrough female wrestling show that fought many odds to become a long-running, successful program, and GLOW follows the show's conception and journey to the pilot. (The first season, at least, focuses on the show's preparation for the pilot: assumingly, future seasons would follow the rest of the show.) While Netflix's GLOW is only "based" on the true story, and takes many liberties with its characters and plot (much like Kohan's other Netflix series Orange is the New Black) it retains the same scrappy underdog energy. You get the sense that the odds are low for the show's success, and the only way it can survive is if the show's cast fights hard and really believes in themselves.

In that way, GLOW sort of feels like your classic "underdog" story, and follows many of the similar beats of one. It's sort of a "Friday Night Lights, but with female wrestlers" type of show (or, I've been describing it as "Glee, except with female wrestlers, and also unlike Glee, it's good.") There hasn't really been a good "underdog" story on TV in quite a while (since maybe the first season of the aforementioned Glee?), and it's fun to settle back into those rhythms of watching characters that start off hating each other work towards a common goal that seems impossible at the start of the series but gradually seems more and more and reach. GLOW also adds enough interesting spins on the "underdog" dynamic that it doesn't feel completely "done" before, particularly in its lead character Ruth (portrayed brilliantly by Alison Brie), who is more complex, flawed, and nuanced than you might expect from a "hero" of a show like this. In fact, the entire cast is doing a great job of taking what could be stock characters and turning them into genuinely interesting people. Betty Gilpin's Debbie could be the typical "diva" lead, but instead she's someone who feels trapped in her failing marriage and uses GLOW as an escape. Marc Maron's Sam could be a typical sleazeball director, and he kind of his, but the way Maron plays him gives insight into why he's that way. And Chris Lowell does such an excellent job with his character (the show's producer, Bash) that he somehow transforms the spoiled, coked up rich boy into one of the most lovable characters on the show.

There isn't much to watch on TV right now. So there's really no reason not to check out Netflix's GLOW, which is not only "great for a summer show" - it's just great TV.

FX Networks has set the premiere dates for the acclaimed comedy series You're the Worst, which returns to FXX on Wednesday, September 6, and Better Things, which comes back to FX on Thursday, September 14. From Creator/Executive Producer Stephen Falk, You're the Worst returns to FXX for its fourth season with a special one-hour premiere on Wednesday, September 6 at 10 PM ET/PT. You're the Worst is a modern look at love and happiness told through the eyes of two people who haven't been very successful with either. It's the story of Gretchen and Jimmy, fear, heartbreak, romance, sex, food, Los Angeles, Sunday Funday, friendship, and the fact that sometimes the worst people make the best partners.

Peabody(R) Award Winner Better Things is back for its second season on FX beginning Thursday, September 14 at 10 PM ET/PT. Better Things centers on Sam Fox (Pamela Adlon), a single, working actor with no filter raising her three daughters, Max (Mikey Madison), Frankie (Hannah Alligood) and Duke (Olivia Edward) in Los Angeles. She's mom, dad, referee and the cops. Sam also watches out for her mother, Phil (Celia Imrie), an English expatriate, who lives across the street. Sam is flawed and fierce with her love for her daughters, and her own mother, as well. Sometimes, heaping the love on when she feels guilty. Sam's just trying to earn a living, navigate her daughters' lives, have fun with a friend or two and also - just maybe - squeeze in some private time once in a while.

Spandex? No problem. Power Bomb? They got this. Go behind the scenes and hear how the cast of GLOW prepared for their roles and what it takes to be come a TKO (total knock out) in this featurette released by Netflix, featuring interviews with the cast and new footage. Glow tells the fictional story of Ruth Wilder (Alison Brie), an out-of-work, struggling actress in 1980s Los Angeles who finds one last chance for stardom when she's thrust into the glitter and spandex world of women's wrestling. In addition to working with 12 Hollywood misfits, Ruth also has to compete with Debbie Eagan (Betty Gilpin) a former soap actress who left the business to have a baby, only to be sucked back into work when her picture perfect life is not what it seems. And at the wheel is Sam Sylvia (Marc Maron), a washed-up, B-movie director who now must lead this group of women on the journey to wrestling stardom. The comedy series launches on Netflix this Friday (June 23).

We will stick with the Netflix news. Netflix, the world's leading internet TV network, is bringing Tony Danza back to series television for viewers around the world in The Good Cop, a new 10-episode, one-hour dramedy series. In The Good Cop, Danza plays Tony Sr., a disgraced, former NYPD officer who never followed the rules. He lives with his son, Tony Jr., an earnest, obsessively honest NYPD detective who makes a point of always following the rules. This "odd couple" become unofficial partners as Tony Sr. offers his overly-cautious son blunt, street-wise advice on everything from handling suspects to handling women.

Tony Danza became a household name while co-starring in the classic sitcom Taxi, which ran from 1978-1983. Danza then cemented his place in TV history with his starring role in Who's the Boss, which ran from 1984-1992 and was a global phenomenon. The show went on to be one of the biggest successes in syndication history. Danza most recently starred in the critically acclaimed Broadway musical comedy Honeymoon in Vegas, for which he received rave reviews, with The New York Times calling his performance "A career high... sly genius" and drawing comparisons to Frank Sinatra. Danza also recently co-starred on the big screen in the indie hit Don Jon, in which he played Joseph Gordon-Levitt's father and received critical acclaim. Among his past successes, Tony has starred on Broadway in the The Producers, A View from the Bridge, and opposite Kevin Spacey in The Iceman Cometh, and starred in beloved films such as Angels in the Outfield, She's Out of Control, and Hollywood Knights.