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It's time for another edition of Fri-Yay! That means we will take a look back on some sitcom happenings in recent days or weeks or other fun sitcomy stuff. It's a sitcom lover's paradise! Happy Fri-Yay!

by Vincent

Despite being one of the funniest shows on television, Unbreakable Kimmy Schmidt has spent a lot of its four-season run defending itself. Although its joke writing and characters are top-notch comedy gems much like on Fey and Carlock's previous show 30 Rock, Kimmy Schmidt has never quite reached the level of widespread acclaim that 30 Rock did due to the show's questionable handling of sensitive topics and especially its tendency to appear tone-deaf when dealing with hot button issues. The show's portrayal of Jacqueline (portrayed by the very white Jane Krakowski) as a Native American was the first aspect of the show to really make headlines, but it was followed in the second season by an episode that seemed to brush off the legitimate criticism of the plotline, followed by several episodes in the third season that had some fairly trite takes on political correctness and "call out culture." The things that Kimmy Schmidt is good at - creating a unique world of characters, amazing jokes, and messages of female empowerment - were often overshadowed by the uproar over the show's tendency to drop the ball when covering these touchy topics. Additionally, like many streaming sitcoms, Kimmy Schmidt sometimes has the tendency to go long (many episodes run 30 minutes or more) without the restraints of the traditional sitcom model, which can result in episodes that feel overstuffed.

However, in the first half of its fourth season (which dropped last week - the second half will premiere in January), Kimmy Schmidt has seemingly eliminated almost everything that didn't work in the first three seasons and applied a laser focus to the show's strengths. The jokes comes faster and harder than ever, and are funnier than ever (every episode left me with at least a few big belly laughs), and the show's social commentary sticks to the show's strengths, tearing down targets like "Mens Rights Activities" and the militarization of young men via the internet, which is firmly in the show's wheelhouse of female empowerment and tackling the concept of the patriarchy. Perhaps this is because we've only seen six episodes of the season, but these six episodes do an excellent job of capturing everything that works about Kimmy Schmidt and leaving out much of what doesn't. There is an increased focus on the stories of Kimmy and Titus, treating funny supporting characters as the funny supporting characters they are rather than attempting to juggle too much by giving everyone A plots. That keeps the episodes tight and focused rather than stuffed and overlong, and allows characters like Lillian and Jacqueline to function as amazing joke machines rather than saddling them with storylines that never quite click. After the uneven third season, I was somewhat relieved to hear that Kimmy Schmidt would be ending after its fourth season. Now, I'm sad we only have six episodes left, and I hope that the rumored series-ending movie winds up panning out, as I'm not ready to say goodbye to this show as it's functioning at the top of its game.

Netflix announced that it's newest scripted multi-camera comedy series starring Rev Run and his wife Justine Simmons, All About the Washingtons will debut August 10, 2018 at 12:01 AM PT with 10 episodes. The series was originally developed for ABC in 2017 but ABC passed on the project. All About the Washingtons is an autobiographical scripted family sitcom that follows Joey Washington (Rev Run aka Joseph Simmons) and his wife Justine Washington (Justine Simmons), playing fictionalized versions of themselves raising a family of family kids. After Joey decides to retire from a long career as legendary hip-hop royalty, his wife Justine, takes advantage of the opportunity to pursue a career of her own now that Joey is available to focus on raising the kids and keeping the house in order. Their kids are portrayed by rising stars Kiana Ledé, Nathan Anderson, Leah Rose Randall and Maceo Smedley.