SitcomsOnline.com News Blog

It's time for another edition of Fri-Yay! That means we will take a look back on some sitcom happenings in recent days or weeks or other fun sitcomy stuff. It's a sitcom lover's paradise! Happy Fri-Yay!

by Vincent

Sitcoms tend to go in phases, and one of the many phases of the sitcom is "high concept vs. low concept." This trend can be dated way back to the earliest decades of television - I'd argue the '50s were a "low concept" decade as most shows from that era were fairly simple in premise, shows such as I Love Lucy or Leave it to Beaver, which had straightforward and realistic premises (newlyweds in the city, families in the suburbs) and relied on character antics for their laughs and plot. However, following the '50s came the '60s, which had huge concepts - just look at shows like I Dream of Jeannie or Bewitched, shows about magical creatures which had complex rules and universes of their own. This became the norm in the '60s - shows about talking horses, flying nuns, witches, and genies were the norm, perhaps as a form of a escapism from the turbulent political climate. While we saw some high-concept shows after the '60s, for the most part, shows began to get gradually lower in their concept until Seinfeld became the quintessential low concept series - it was a sitcom that was proud to be a "show about nothing."

However, for the first time in many years, we're beginning to see a rise in high concept sitcoms again. The biggest example of this is likely The Good Place, which is one of the most high-concept hit sitcoms in quite some time, revolving around a woman and her friends in the afterlife. But you can see it around other shows and networks, too - think of a show like The Last Man on Earth, revolving around the apocalypse, or Search Party, a plot-heavy film noir comedy. Even something like CBS's Life in Pieces, which shows several different families lives and how they intersect, and is told in short "pieces", could qualify. Like the '60s, perhaps this could be a form of escapism for people in today's similarly tumultuous political climate? Either way, it's certainly a good time for creative, original and high-concept sitcoms.

Bravo Media and Universal Cable Productions' original scripted series Imposters, starring Inbar Lavi, Rob Heaps, Parker Young, Marianne Rendón, Brian Benben and Stephen Bishop, returns for a second season on Thursday, April 5 at 10pm ET/PT. From executive producers Adam Brooks and Paul Adelstein, Imposters follows Maddie (Lavi), a persona-shifting con artist and the "Bumblers," a trio of her recent, heart-broken victims, Ezra (Heaps), Richard (Young) and Jules (Rendón). To catch up on Imposters season one, tune in to Bravo on Monday, February 19 from 8am-6pm ET for an all-day marathon. Additionally, season one is currently available on iTunes, Amazon, Google Play, XBOX, Playstation, FandangoNow and Vudu, and is available starting today on Netflix.

Golden Globe winning actress Uma Thurman reprises her guest role as lethal fixer, Lenny Cohen. Additionally, executive producer Paul Adelstein will guest star with a story arc spanning multiple episodes, playing Shelly Cohen, a mysterious fixer who happens to be Lenny's former husband. In the season two premiere, Maddie decides to lay low at a lake house in Michigan as she tries to escape her former existence. However, she finds her past much harder to shake than anticipated, leaving her in a state of paranoia. The Bumblers head to Richard's hometown hoping to sell the rare, very expensive ring Ezra stole from Patrick. Their hope for a clean getaway backfires when the tables turn and they find themselves on the run... again.