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Actor and producer Will Arnett will host new unscripted competition series Lego Masters, premiering Wednesday, Feb. 5, 2020 from 9:00-10:00 PM ET/PT on Fox. The series will feature pairs of LEGO enthusiasts facing off in unbelievable brick-building challenges. Throughout the competition, Arnett, alongside expert judges, will encourage the builders, introduce incredible challenges and put the creations to the test until one duo is crowned Lego Masters. Arnett, who voices "LEGO Batman" in The LEGO Movie franchise, will also serve as an executive producer on the series.

Based on the hit British reality-competition series of the same name, Lego Masters brings imagination, design and creativity to life when teams of LEGO enthusiasts go head-to-head, with infinite possibilities and an unlimited supply of LEGO bricks. Teams of two will compete against each other in ambitious brick-building challenges to be crowned the country's most talented amateur LEGO builders. In each episode, the competing pairs who impress the judges the most will progress to the next round, until the finale, during which the top teams will face off for a cash prize, the ultimate LEGO trophy and the grand title of Lego Masters. Originally created by Tuesday's Child, Lego Masters first launched on the U.K.'s Channel 4 in 2017, when it quickly became the network's highest-rated new series, nearly doubling its primetime average with young adults.

Comedian, actor, writer and producer Lil Rel Howery makes his HBO stand-up comedy debut with an hour-long special Lil Rel Howery: Live in Crenshaw, premiering Saturday, Nov. 23 from 10:00-11:05 p.m. ET/PT, exclusively on HBO. The special will also be available on HBO NOW, HBO GO, HBO On Demand and partners' streaming platforms. Known for his well-crafted storytelling and hilarious impressions of the myriad characters he encounters in life, Lil Rel Howery draws on his personal experiences in his relatable, uproarious stand-up. The special was filmed before a live audience at Susan Miller Dorsey Senior High School in Los Angeles.

Howery's previous credits include Oscar-winning film Get Out, as well as the smash hit Bird Box, The Carmichael Show, and HBO's Insecure. He recently executive produced and starred in the comedy series Rel, and has starred in the films Uncle Drew and Brittany Runs a Marathon. He won Best Comedic Performance in a Movie at the MTV Movie & Television Awards, was nominated for an NAACP Image Award(R) for Best Supporting Actor and was crowned Bernie Mac Comedy King of the Year.

Comedian, actor, writer and producer Lil Rel (The Carmichael Show, Rel) will star in his first HBO stand-up comedy special, it was announced by HBO. To be taped before a live audience in Los Angeles sometime in July, the exclusive hour-long presentation will be executive produced by Lil Rel, Jerrod Carmichael, Bo Burnham, Chris Storer, Jeff Tomsic and Avi Gilbert. Lil Rel's previous credits include the Oscar(R)-winning "Get Out," the record-breaking hit "Bird Box" and HBO's "Insecure." The special will be produced for HBO by Ashley LLC; executive producers, Lil Rel, Jerrod Carmichael, Bo Burnham, Chris Storer, Jeff Tomsic and Avi Gilbert; produced by Matt Vaughn; directed by Jerrod Carmichael.

AT&T Audience Network announced it will begin production on the 3rd season of its critically acclaimed series Loudermilk in Vancouver. Returning for season 3 are Ron Livingston (A Million Little Things) as Sam Loudermilk, Will Sasso (United We Fall) as Ben and Anja Savcic (Extraterrestrial) as Claire. Still reeling from his father's death, Loudermilk finds himself the caretaker of his much, much, MUCH younger half-brother after the kid's mom drops him off on Sam's doorstep. Barely equipped to deal with his own issues, Loudermilk leans on Ben, Claire, and his Sober Friends group to be the family his little bro desperately needs. And just when it seems like Loudermilk's glass half-empty worldview couldn't get worse, he has to watch friends (and enemies) make big strides forward, while everything in his world is decidedly stuck in neutral.

Oscar-winner Peter Farrelly and Bobby Mort will continue to serve as executive producers, along with Bart Peters of Big Branch Productions, Mark Burg of Mark Burg Productions and Shane Elrod of AT&T Audience Network. Peter Farrelly will direct the first three episodes with Bobby Farrelly returning to direct the final seven episodes.

by Vincent

It's fall (or at least almost fall), which means a few things: cooler weather, pumpkin spice flavored everything, and...a brand new slate of network sitcoms! Now, that was a much more exciting prospect even 5 or 10 years ago. As cable and streaming services have boomed, it feels increasingly less like there's a real "TV season - even the networks themselves aren't always restricting themselves to the old September to May model, with many promising shows being held for mid-season and airing shorter seasons. Yet, the networks will still trot out a whole bunch of new shows this fall. I'll be taking a closer look at each show over the next few weeks, but I thought I'd take this week's column to give my opinion on the overall slate of sitcoms and what shows I'm particularly keeping an eye on.

Last fall was a pretty weak one for new sitcoms, and frankly, this fall isn't all that much better. You can very clearly see the response to the success of the Roseanne reboot in this fall's sitcom slate, as many of the buzziest prospects on networks are actually revivals - from the revived Murphy Brown to the "re-imagined" version of the Roseanne reboot The Conners to the also "revived" Last Man Standing. Expect these shows to get a lot of buzz regardless of quality - especially since, frankly, the rest of the slate is pretty weak. Still, there's a couple of shows I'll be keeping my own. Fox largely destroyed its comedy block at Upfronts this past spring, but it is premiering new series Rel, starring The Carmichael Show's Lil Rel Howery. Howery was a strong part of Carmichael, so it'll be interesting to see him in a new role. I'll also be keeping an eye on ABC's Single Parents, which gets the post-Modern Family slot and stars SNL alum Taran Killam. That suggests it should at least be watchable if ABC is giving it that plum slot, right? Plus, Killam is a great comedic talent who should bring liveliness to the role regardless of the quality of the rest of the show. I'm also interested in NBC's I Feel Bad, which is produced by Amy Poehler and stars Sarayu Blue in her first TV role. It's interesting to see Poehler giving a chance to a fresh voice, and I'll be keeping an eye out. Finally, Fox will be pairing its revived Last Man Standing with The Cool Kids, a multi-camera sitcom about a retirement home...which sort of shows you the audience they'll be courting for their Friday night comedy block. Oh, and CBS is premiering a drama called God Friended Me, about...a podcast host who becomes friends with God. It certainly has the potential to be the most, uh, interesting show of the fall.

Frankly, if you're someone who believes network sitcoms are losing their relevancy, this slate of sitcoms may not change your mind. But I'm an optimist who believes great shows like The Good Place, Superstore and Brooklyn Nine-Nine are proving the network sitcom can still be excellent, so I'll be hoping these shows defy the odds and step up to the plate.

TV Guide has launched its first-ever 100 Best Shows list. Ahead of the fall TV season, TV Guide's team of editors and pop culture experts have curated the site's first annual ranking of the best shows available to watch right now. TV Guide's 100 Best Shows ranking focuses on highlighting what the editorial team believes to be the most outstanding shows right now. Eligibility is limited to ongoing shows that have at least one more season slated to air.

The top 10 highest-ranked shows include:

The Good Place (NBC)
Atlanta (FX)
Better Call Saul (AMC)
One Day at a Time (Netflix)
Killing Eve (BBC America)
Game of Thrones (HBO)
Stranger Things (Netflix)
Big Little Lies(HBO)
This Is Us (NBC)
Bob's Burgers (FOX)

Out of all the outlets and streaming services, Netflix racked up the most mentions with 20 shows on the list; HBO followed with 10, and FX had seven. Several TV creators stood out among their peers with more than one show on the list, including Michael Schur (The Good Place and Brooklyn Nine-Nine) and Phoebe Waller-Bridge (Fleabag and Killing Eve). TV fans can visit tvguide.com/100BestShows to view the full list, learn more about the featured series, take a personality quiz to recommend their next binge and watch behind-the-scenes footage from the stars of top-ranked shows, including Sterling K. Brown, Kristen Bell, Ted Danson, Brian Tyree Henry, Patrick Fabian and more.

by Vincent

From every generation, it seems there's at least a few shows that rise above the others and stand the test of time, to the point where they almost feel distinct from their eras. These shows play endlessly in syndication to the point where future generations attatch to them just as much as fans did in their original run. In the '80s, that show was Cheers, in the '90s, it was Friends and Seinfeld and in the '00s, I think we're far enough removed to pick what show that is - The Office.

This isn't to slam other '00s-era comedies like Arrested Development, 30 Rock or Scrubs, or even multi-cam hits from the era like Everybody Loves Raymond - all shows I enjoy. However, The Office has reached a ubiquity that few shows are able to achieve in their life spans. Fans young and old have been finding the show on Netflix and falling in love with its cringe-awkward humor, clever one-liners, and surprisingly enthralling character dynamics. Those other shows have prevailed, too, but just like Cheers, Seinfeld and Friends before it, The Office seems to be becoming a universal, timeless series not specifically tied to the era it aired in. You wouldn't think of The Office as "a 2000s show" just as you don't necessarily immediately think of the '80s with Cheers - it's a universal series whose humor and character development can be accessible for anyone.

So why is The Office so prevailingly prevalent? Personally, I'd say that the show's form of existential-dread humor mixed with heartfelt character moments fits in perfectly with the current comedy landscape - it's not hard to draw a line from The Office to 2010s "sadcoms" like Bojack Horseman or You're the Worst, which similarly balance a goofy sense of humor with in-depth characterization. Additionally, The Office was never particularly tapped into current culture - much like Seinfeld and Cheers. While the show made occasional pop culture references, it was mostly grounded in the reality of Dunder-Mifflin. That allows people - no matter their age or when they're watching it - to relate to the show's antics. Additionally, the show's setting is universal and relatable to many people - most of us have jobs, and we all can relate to the feelings of dread, boredom, amusement, and surprise that come with them, as well as the basic archetypes of the show's characters, just as the bar on Cheers was a place where "everyone knew your name" (something we could all relate to). All of this means that I expect The Office to grow in popularity rather than lose it, and I wouldn't be surprised if we're still talking about the show's enduring popularity years down the road.

by Vincent

This week, it was announced that ABC was going forward with a spin-off of Roseanne entitled The Conners. The series will take Roseanne's 8pm Tuesday timeslot, and while details on the exact direction of the series are sparse, one thing is for certain: it will not involve Roseanne in any way, and her character will be written or killed off in a turn of events that ABC execs described as "sudden." Whether The Conners will essentially be "Roseanne without Roseanne" or a different type of series entirely isn't clear, but given that the writing team and cast sans Roseanne appears to be identical to what would've been Roseanne Season 11, it's reasonable to expect the new series will pick up where Roseanne left off. The spin-off has been picked up for 10 episodes and could receive an extension if it performs adequately.

It will be interesting to see how the public responds to The Conners, and whether it will continue to see ratings as impressive as Roseanne's 10th season did this past spring. I'm going to guess there will once again be a lot of upfront public interest in the series, but as deplorable as Barr's recent comments might be, it's really hard for me to imagine the world of the Conners without Roseanne Conner. That said, the cast is incredibly talented and the characters are all solid and interesting, and while Roseanne's 10th season had a lot of flaws, it did a lot of interesting things with the Conners and examining how they would fit into 2010s America. I could see The Conners eventually developing into an astute working class sitcom without the baggage that Roseanne Barr brings to it. But part of me does wonder if maybe it's best if we all just left Roseanne in our rear view mirror. The Roseanne debacle has proved that sometimes, shows are better off left in the past, and that the present can taint our memories of shows that we once loved. It's possible The Conners will revive some of the bad taste left by the unfortunate ending to the Roseanne revival, but it's also possible it will be salt on the wound, and pulling a great show out of all of the uncertainty and turmoil of the post-Season 10 Roseanne going-ons is going to be an uphill battle. I'd love for The Conners to prove me wrong, but I'm fearing that it's going to be another example of a TV network messing up something that should've been left alone to begin with.

Fox has set the 2018-19 fall premiere dates for its new and returning series, which includes the return of Last Man Standing and new comedies The Cool Kids and Rel. Hit drama 9-1-1, featuring new cast member Jennifer Love Hewitt, returns with a two-night season premiere: Night One airs immediately following the NFL on Fox doubleheader on Sunday, Sept. 23 (8:00-9:00 PM ET/live in all time zones); Night Two airs Monday, Sept. 24 (9:00-10:00 PM ET/PT), in its regular time period, following the season premiere of The Resident (8:00-9:00 PM ET/PT).

Beginning Tuesday, Sept. 25, The Gifted (8:00-9:00 PM ET/PT) and Lethal Weapon (9:00-10:00 PM ET/PT), featuring new cast member Seann William Scott, air.

On Wednesday, Sept. 26, Empire (8:00-9:00 PM ET/PT) and Star (9:00-10:00 PM ET/PT) return.

Thursday Night Football, with NFL Hall of Famers Terry Bradshaw, Howie Long and Michael Strahan headlining the pregame show, debuts Sept. 27 (7:30 PM-CC ET live/4:30 PM-CC PT live).

On Friday, Sept. 28, the return of Last Man Standing, starring Tim Allen (8:00-8:30 PM ET/PT), and new comedy The Cool Kids, starring comedy veterans David Alan Grier, Martin Mull, Vicki Lawrence and Leslie Jordan (8:30-9:00 PM ET/PT) premiere, followed by the season premiere of Hell's Kitchen (9:00-10:00 PM ET/PT), which, in a new twist, pits veteran contestants against rookies.

New multi-cam comedy Rel launches with a special preview immediately following the NFL on Fox doubleheader, Sunday Sept. 9 (8:00-8:30 PM ET/live in all time zones). On Sunday, Sept. 30, following the season premieres of The Simpsons (8:00-8:30 PM ET/PT), Bob's Burgers (8:30-9:00 PM, in its new regular time period) and Family Guy (9:00-9:30 PM ET/PT), Rel makes its time period premiere at 9:30-10:00 PM ET/PT.

by Vincent

Yesterday, Fox cancelled nearly its entire slate of comedies, including the quirky, high-concept veteran The Last Man on Earth, once promising Kaitlin Olson launching pad The Mick, and most heartbreakingly, the internet-beloved Brooklyn Nine-Nine. This is in addition to the departing New Girl, which will wrap up its seven-year run next week. The jury is still out on freshman comedies Ghosted and LA to Vegas, but either way, it's clear this marks a big change for Fox.

Fox, as you may remember, is going through a major shake-up as its parent company 20th Century Fox was recently bought by Disney. Fox (the network) is still owned by News Corp and not Disney, but this shake-up does change the course for Fox a bit - they no longer have stake in a production company, which means any scripted series they air will be owned by another company. Many have speculated that this will result in Fox going "broader" and relying primarily on sports and live events for its primetime series. If this slate of cancellations, along with Fox's rumored revival of Last Man Standing, is indicative of the future, those people might just be right.

Still, these cancellations certainly come as a surprise - while all of these shows were low-rated, much of Fox's line-up is, and over the past several years Fox has consistently renewed shows in worse ratings shape than these 3 shows are. Despite the reputation the network had in the 2000s as a "murderer" of fan favorite shows like Arrested Development, Futurama and Firefly, the Fox of the 2010s has been almost the opposite. There is no other network, for example, where a low-rated, high-concept sitcom like The Last Man on Earth could've survived for four seasons, or where shows like New Girl and Brooklyn Nine-Nine could see renewal after renewal despite being low-rated niche hits. And yet, all of that seems to be ending soon. It's a real shame that it had to end so abruptly, as these shows - particularly longer-running Brooklyn Nine-Nine and The Last Man on Earth, had done enough to at least earn a proper farewell, the kind that New Girl is getting this season. These shows had large, passionate fanbases and were inventive, creative shows that clearly had a lot of love put into them. To have them ripped away without warning is cruel and cold. But hey, that's the television business for you. We're living in a post-streaming world and a world of reboots, so there's always the chance a streaming show or even another network will scoop up and save at least one of these shows. But if not, we can at least be thankful for the years of great TV they provided us with.

And sticking with Fox, they have ordered another multi-camera sitcom for 2018-19: Rel. Lil Rel, a prideful, self-made success who lives by the code to "always believe in yourself and great things will come," finds that attitude put to the test when he learns his wife is having an affair with his own barber. He tries to rebuild his life post-divorce as a long-distance single father on the South Side of Chicago who's on a quest for love, respect and a new barber. Inspired by Lil Rel's real life.

The sitcom stars Lil Rel Howery as Lil Rel, Sinbad as Rel's Dad, Jess "Hilarious" Moore as Brittany, and Jordan L. Jones as Nat. The sitcom will be produced by Jerrod Carmichael, Mike Scully, Kevin Barnett, Josh Rabinowitz and Lil Rel Howery. Rel joins multi-camera sitcom The Cool Kids in the only Fox comedy orders so far.